JERRY 77 | Line 6 | HELIX STADIUM

$15.00

Release Date: 11/11/2026

Jerry 77!  My latest preset for Jerry Garcia’s 1977 guitar tone for the Line 6 Helix STADIUM.

Designed around Jerry Garcia’s rig in 1977 using the Twin Reverb amp for its clean headroom and bright, bell like sound.

The effects in the preset contain the usual suspects:  MuTron, Boss OC-2, MXR Distortion+, MXR Phase 100, MXR Analog Delay & Spring Reverb. Because the MuTron envelope filter is very touch sensitive, I created two settings: one for single coil pickups, and the other for humbucker pickups. They can be used together for a very apparent quacking sound:).

I spent a lot of time dialing in this amp and effects, trying them out at several live shows with my bands, Touch of Trey (phish & dead), A Live One (phish) & HeartByrne (talking heads).  Testing them at home with several different monitoring systems: FRFR monitors, PA monitors, Studio monitors and Headphones, and then really dialing them in while pushing them at very loud live venue levels.  I believe they’re balanced very well and sound really good in the mix!

Release Date: 11/11/2026

Jerry 77!  My latest preset for Jerry Garcia’s 1977 guitar tone for the Line 6 Helix STADIUM.

Designed around Jerry Garcia’s rig in 1977 using the Twin Reverb amp for its clean headroom and bright, bell like sound.

The effects in the preset contain the usual suspects:  MuTron, Boss OC-2, MXR Distortion+, MXR Phase 100, MXR Analog Delay & Spring Reverb. Because the MuTron envelope filter is very touch sensitive, I created two settings: one for single coil pickups, and the other for humbucker pickups. They can be used together for a very apparent quacking sound:).

I spent a lot of time dialing in this amp and effects, trying them out at several live shows with my bands, Touch of Trey (phish & dead), A Live One (phish) & HeartByrne (talking heads).  Testing them at home with several different monitoring systems: FRFR monitors, PA monitors, Studio monitors and Headphones, and then really dialing them in while pushing them at very loud live venue levels.  I believe they’re balanced very well and sound really good in the mix!