Line 6 Helix Preset Anastasio97
Line 6 Helix preset for Trey Anastasio’s iconic 1997 tone. Just designed this tone, released on 12/20/2022.
Beautiful sounding preset with most of the Trey’s effects and tones from his clean funky 1997 tone. Built around a super clean Fender Deluxe Reverb tone, this preset was designed to have the Ross compressor on at all times. With the Ross on, it’s easy to get some great sustain and musical feedback.
Adjust the hi and low cuts in the cabinet for your guitar and room. My hollowbody Forshage is pretty bassy, so I have the low cut around 150 Hz. When I’m pushing both tubescreamers at full volume, on a venue’s loud sound system, I find a hi cut around 8 KHz, keeps it creamy and comfortable on the ears.
whammy > wah > univibe > ts (more) > ts (less) > ross > deluxe reverb > delay > reverse delay > reverb (less) > reverb (more) > super tremolo > looper > multi out
Line 6 Helix preset for Trey Anastasio’s iconic 1997 tone. Just designed this tone, released on 12/20/2022.
Beautiful sounding preset with most of the Trey’s effects and tones from his clean funky 1997 tone. Built around a super clean Fender Deluxe Reverb tone, this preset was designed to have the Ross compressor on at all times. With the Ross on, it’s easy to get some great sustain and musical feedback.
Adjust the hi and low cuts in the cabinet for your guitar and room. My hollowbody Forshage is pretty bassy, so I have the low cut around 150 Hz. When I’m pushing both tubescreamers at full volume, on a venue’s loud sound system, I find a hi cut around 8 KHz, keeps it creamy and comfortable on the ears.
whammy > wah > univibe > ts (more) > ts (less) > ross > deluxe reverb > delay > reverse delay > reverb (less) > reverb (more) > super tremolo > looper > multi out
Line 6 Helix preset for Trey Anastasio’s iconic 1997 tone. Just designed this tone, released on 12/20/2022.
Beautiful sounding preset with most of the Trey’s effects and tones from his clean funky 1997 tone. Built around a super clean Fender Deluxe Reverb tone, this preset was designed to have the Ross compressor on at all times. With the Ross on, it’s easy to get some great sustain and musical feedback.
Adjust the hi and low cuts in the cabinet for your guitar and room. My hollowbody Forshage is pretty bassy, so I have the low cut around 150 Hz. When I’m pushing both tubescreamers at full volume, on a venue’s loud sound system, I find a hi cut around 8 KHz, keeps it creamy and comfortable on the ears.
whammy > wah > univibe > ts (more) > ts (less) > ross > deluxe reverb > delay > reverse delay > reverb (less) > reverb (more) > super tremolo > looper > multi out